Рембрант ван Рајн, 1635 година - Човек во ориентален фустан - ликовна уметност

Спецификации за уметнички производи

Ова уметничко дело од 17 век Man in Oriental Dress беше насликан од страна на машки холандскиот сликарот Рембрант ван Рајн во 1635. Припаѓа на уметничката колекција на Rijksmuseum in Амстердам, Холандија. Со учтивост на: Rijksmuseum (лиценцирано: јавен домен).: . Покрај тоа, усогласувањето на дигиталната репродукција е во портрет формат и има сооднос на сликата од 3: 4, Што значи дека должината е 25% пократка од ширината. The painter Rembrandt van Rijn was an artist from the Netherlands, whose art style was mainly Baroque. The painter was born in the year 1606 in Leiden and deceased at the age of 63 во 1669 година во Амстердам.

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• Печатен постер (материјал од платно): Our poster is a printed canvas with a slightly roughened finish on the surface, that reminds the actual version of the artwork. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
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• Печатете на сјајно акрилно стакло: A glossy acrylic glass print, often named a fine art print on plexiglass, will transform the artwork into brilliant décor and offers a great alternative to canvas and aluminidum dibond prints. With an acrylic glass art print sharp contrasts and granular artwork details will be visible because of the fine tonal gradation.
• Алуминиумска дибонд (метален отпечаток): This is a metal print made on aluminium dibond material with an impressive depth effect. The non-reflective surface structure creates a contemporary impression. The Aluminium Dibond Print is your excellent introduction to the sophisticated world of reproductions with aluminum. The bright parts of the work of art shimmer with a silky gloss but without glow.

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Детали за оригиналното уметничко дело

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Што значи Rijksmuseum state about this 17th century artwork painted by Rembrandt van Rijn? (© - од Rijksmuseum - Rijksmuseum)

Rembrandt manipulated light in a highly personal way. Here, the man’s turban and the right side of his face are brilliantly illuminated, while the left side is in shadow. Exotic character heads like this – they are not portraits – were extremely popular in the 17th century; early on, they were widely copied and imitated. They were known as ‘Turkish tronies’.